The first ever article I have written for Gazetebilkent was about Maurizio Cattelan – a provocative Italian artist with provocative and ironic social commentary. This one is about the ones that are very much alike: Italian, ironic, provocative.     To start simple and short, let us have a look at Paolo Grassino’s 2011 installation titled
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One of the exhibits in CerModern’s Ipekyolu exhibition, which presents Italian contemporary art, was a photograph by Mimmo Jodice titled “Vedute di Napoli, Opera 29” (in Turkish “Napoli Manzaraları, Çalışma 29”). In order to dig deeper into the meaning of the title (which is a term I made up and not a real one), some
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