Dilek Yalçın – ‘Innocence of Objects’
One of the three current exhibitions at CerModern is Dilek Yalçın’s ‘Innocence of Objects’ (‘Nesnelerin Masumiyeti’). Utilizing the lack of urgency of the semester’s first week, I have had a look at the exhibition and took on the responsibility of putting forth an interpretation that you – an interested viewer – may later agree with
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